SUE BEYER \\ VISUAL ARTIST DIGITAL COMBINES . WE ARE DATA . XANADU . PAINTING . OTHER . CURATION

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// ARTIST STATEMENT Recent work made while participating in the Mark Rothko Museum Painting Symposium in Latvia, September 2023. The two paintings below are now part of the Museum's collection.
	IMG_0723.jpg 2023 Synthetic polymer on linen 120 x 160cm
	IMG_0731.jpg 2023 Synthetic polymer on linen 120 x 160cm
	IMG_0724.jpeg 2023 Synthetic polymer on linen 48 x 60in
// ARTIST STATEMENT A series of paintings and digital works, that investigate ideas relating to sensory thresholds through the transformation of well known Australian landscape paintings. Postdigital strategies are used as a metaphor for the permanent alteration and ultimate transformation of the landscape and our society as we know it.
	Untitled 1, Solomon, after Arthur Boyd interior by Greg Natale 2022 Synthetic polymer on linen 213.5 x 158cm Photographer: unknown
	Transmission A 2021 Synthetic polymer on linen 204.7 x 122.5 Photography: Studio Gallery Group
	PFA63714, Tasmanian Gorge, after John Glover 2021 Synthetic polymer on linen 300 x 160cm Photography: The artist
	Melbourne Burning, after Arthur Boyd 2020 Synthetic polymer on linen 204.7 x 122.5 Photography: Studio Gallery Group
	Untitled 21, Mars, After Arthur Boyd 2020 Synthetic polymer paint on linen 122.3 x 168cm Photography: The artist
	Untitled 24a Untitled 24b Untitled 24, Lovers on fire in a boat with kite, after Arthur Boyd 2020 Synthetic polymer paint on linen 58 x 73cm framed Photography: The artist
	Untitled 19, after Arthur Boyd, the Australian Scapegoat 2020 Synthetic Polymer on linen 58 x 73cm Photography: Mike Baker
	Untitled 2, View of Hobart from across the Derwent, after James Haughton (1826-1925) 2021 Synthetic polymer on linen 102.3 x 72cm Photography: The artist
copyright 2022 Sue Beyer