SUE BEYER \\ VISUAL ARTIST
DIGITAL COMBINES . WE ARE DATA . XANADU . PAINTING . OTHER . CURATION

ABOUT . UPCOMING . TEXT . NEWS       
// ARTIST STATEMENT
Recent work made while participating in the Mark Rothko Museum Painting Symposium in Latvia, September 2023. The two paintings below are now part of the Museum's collection.
IMG_0723.jpg
2023
Synthetic polymer on linen
120 x 160cm
IMG_0731.jpg
2023
Synthetic polymer on linen
120 x 160cm
IMG_0724.jpeg
2023
Synthetic polymer on linen
48 x 60in
// ARTIST STATEMENT
A series of paintings and digital works, that investigate ideas relating to sensory thresholds through the transformation of well known Australian landscape paintings. Postdigital strategies are used as a metaphor for the permanent alteration and ultimate transformation of the landscape and our society as we know it.
Untitled 1, Solomon, after Arthur Boyd
interior by Greg Natale
2022
Synthetic polymer on linen
213.5 x 158cm

Photographer: unknown
Transmission A
2021
Synthetic polymer on linen
204.7 x 122.5

Photography: Studio Gallery Group
PFA63714, Tasmanian Gorge, after John Glover
2021
Synthetic polymer on linen
300 x 160cm

Photography: The artist
Melbourne Burning, after Arthur Boyd
2020
Synthetic polymer on linen
204.7 x 122.5

Photography: Studio Gallery Group
Untitled 21, Mars, After Arthur Boyd
2020
Synthetic polymer paint on linen
122.3 x 168cm

Photography: The artist
Untitled 24a
Untitled 24b
Untitled 24, Lovers on fire in a boat with kite, after Arthur Boyd

2020
Synthetic polymer paint on linen
58 x 73cm framed

Photography: The artist
Untitled 19, after Arthur Boyd, the Australian Scapegoat
2020
Synthetic Polymer on linen
58 x 73cm

Photography: Mike Baker
Untitled 2, View of Hobart from across the Derwent, after James Haughton (1826-1925)
2021
Synthetic polymer on linen
102.3 x 72cm

Photography: The artist
copyright 2022 Sue Beyer