PAINTING . ELECTRONICS . NEW MEDIA
ABOUT . UPCOMING . TEXT . NEWS . EMAIL
| SUE BEYER \\ VISUAL ARTIST PAINTING . ELECTRONICS . NEW MEDIA |
ABOUT . UPCOMING . TEXT . NEWS . EMAIL |
| // ARTIST STATEMENT A series of paintings and digital works, that investigate ideas relating to sensory thresholds through the transformation of well known Australian landscape paintings. Postdigital strategies are used as a metaphor for the permanent alteration and ultimate transformation of the landscape and our society as we know it. |
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Duotone Series 2022 Acrylic on linen 122 x 168cm ea Photography: The artist |
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Transformer Solo exhibition held at Forty Five Downstairs Feb 2 - 13 2021 Photography: Christo Crocker |
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Transmission A 2021 Synthetic polymer on linen 204.7 x 122.5 Photography: Studio Gallery Group |
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PFA63714, Tasmanian Gorge, after John Glover 2021 Synthetic polymer on linen 300 x 160cm Photography: The artist |
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Error 1 2021 Synthetic polymer on canvas 172 x 126cm Photography: The artist |
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Melbourne Burning, after Arthur Boyd 2020 Synthetic polymer on linen 204.7 x 122.5 Photography: Studio Gallery Group |
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Untitled 21, Mars, After Arthur Boyd 2020 Synthetic polymer paint on linen 122.3 x 168cm Photography: The artist |
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Untitled 17, after Arthur Boyd, The Australian Scapegoat 2020 Synthetic polymer on linen 141 x 110cm Photography: Studio Gallery Group |
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Untitled 24a Untitled 24b Untitled 24, Lovers on fire in a boat with kite, after Arthur Boyd 2020 Synthetic polymer paint on linen 58 x 73cm framed Photography: The artist |
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Untitled 19, after Arthur Boyd, the Australian Scapegoat 2020 Synthetic Polymer on linen 58 x 73cm Photography: Mike Baker |
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Untitled 2, View of Hobart from across the Derwent, after James Haughton (1826-1925) 2021 Synthetic polymer on linen 102.3 x 72cm Photography: The artist |
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Error 3 2021 Synthetic polymer on linen 122 x 168cm Photography: Studio Gallery Group |
| copyright 2022 Sue Beyer |