SUE BEYER \\ VISUAL ARTIST DIGITAL COMBINES . WE ARE DATA . XANADU . PAINTING . OTHER . CURATION |
ABOUT . UPCOMING . TEXT . NEWS ![]() ![]() ![]() |
// ARTIST STATEMENT Recent work made while participating in the Mark Rothko Museum Painting Symposium in Latvia, September 2023. The two paintings below are now part of the Museum's collection. |
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IMG_0723.jpg 2023 Synthetic polymer on linen 120 x 160cm |
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IMG_0731.jpg 2023 Synthetic polymer on linen 120 x 160cm |
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IMG_0724.jpeg 2023 Synthetic polymer on linen 48 x 60in |
// ARTIST STATEMENT A series of paintings and digital works, that investigate ideas relating to sensory thresholds through the transformation of well known Australian landscape paintings. Postdigital strategies are used as a metaphor for the permanent alteration and ultimate transformation of the landscape and our society as we know it. |
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Untitled 1, Solomon, after Arthur Boyd interior by Greg Natale 2022 Synthetic polymer on linen 213.5 x 158cm Photographer: unknown |
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Transmission A 2021 Synthetic polymer on linen 204.7 x 122.5 Photography: Studio Gallery Group |
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PFA63714, Tasmanian Gorge, after John Glover 2021 Synthetic polymer on linen 300 x 160cm Photography: The artist |
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Melbourne Burning, after Arthur Boyd 2020 Synthetic polymer on linen 204.7 x 122.5 Photography: Studio Gallery Group |
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Untitled 21, Mars, After Arthur Boyd 2020 Synthetic polymer paint on linen 122.3 x 168cm Photography: The artist |
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Untitled 24a Untitled 24b Untitled 24, Lovers on fire in a boat with kite, after Arthur Boyd 2020 Synthetic polymer paint on linen 58 x 73cm framed Photography: The artist |
Untitled 19, after Arthur Boyd, the Australian Scapegoat 2020 Synthetic Polymer on linen 58 x 73cm Photography: Mike Baker |
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Untitled 2, View of Hobart from across the Derwent, after James Haughton (1826-1925) 2021 Synthetic polymer on linen 102.3 x 72cm Photography: The artist |
copyright 2022 Sue Beyer |