EXHIBITIONS . DIGITAL COMBINES . PAINTING . NEW MEDIA
CURATION
ABOUT . UPCOMING . WRITING . NEWS
| SUE BEYER \\ VISUAL ARTIST EXHIBITIONS . DIGITAL COMBINES . PAINTING . NEW MEDIA CURATION |
ABOUT . UPCOMING . WRITING . NEWS |
| // PAINTING A series of paintings and digital works, that investigate ideas relating to sensory thresholds through the transformation of well known Australian landscape paintings. Postdigital strategies are used as a metaphor for the permanent alteration and ultimate transformation of the landscape and our society as we know it.
Untitled 1, Solomon, after Arthur Boyd
interior by Greg Natale 2022 Synthetic polymer on linen 213.5 x 158cm Photographer: unknown 
Untitled 2, View of Hobart from across the Derwent, after James Haughton (1826-1925)
2021 Synthetic polymer on linen 102.3 x 72cm Photography: The artist 
Melbourne Burning, after Arthur Boyd
2020 Synthetic polymer on linen 204.7 x 122.5 Photography: Studio Gallery Group 
Untitled 19, after Arthur Boyd, the Australian Scapegoat, 2020
Synthetic Polymer on linen 58 x 73cm Photography: Mike Baker 
PFA63714, Tasmanian Gorge, after John Glover, 2021
Synthetic Polymer on linen 300 x 160cm Photography: Timothy Kaye for Side Project 
PFA63714b, Tasmanian Gorge, after John Glover, 2021
Synthetic Polymer on linen 365 x 203cm Photography: Francoise Baudet for Studio Life Styling 
Untitled 14 (after Arthur Boyd, the Australian Scapegoat), 2020
Synthetic Polymer on linen 121.7 x 182.5 
Untitled 13, 2023
Synthetic Polymer on linen 86.7 x 122.3cm 
Untitled 5, 2023
Synthetic Polymer on canvas 61 x 71 
Untitled 24a, Untitled 24b, and Untitled 24, Lovers on fire in a boat with kite, after Arthur Boyd, 2020
Synthetic Polymer on canvas 61 x 71cm each 
Transmission A, 2021
Synthetic Polymer on linen 203 x 365cm, Photography: Timothy Kaye for McKimm 
Untitled 10 a (AI), 2022
Synthetic polymer on plywood framed in green powdercoated aluminium 80 x 65 cm |