This work has been described as "a reorganization of meaning as found objects, and electronic elements are brought into dialogue with one another in a single composition. The tactility of artificial flowers and dainty charm bracelets, both associated with girlhood and its nostalgic memories, stand in contrast against the digital aesthetics of pixelation and blur, prompting the audience to question their own structures of perception and proximity: Are the paintings depicting the objects next to them, or something else entirely?"

Colleen Dalusong, Impulse Magazine